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This Prom will be broadcast for free at 19:30 BST.

Please note that it will not be possible to have an audience at the Royal Albert Hall for this concert.

In the vast space of the Royal Albert Hall, Manchester-born Jonathan Scott sits alone at the 70-foot-tall Henry Willis organ – an instrument Scott describes as ‘one of the greatest concert organs in the entire world’. Here he exploits the full possibilities of the musical beast’s four manuals, 147 stops and 9,999 pipes, to bring to life his own symphonic arrangements of colourful orchestral classics.

Scott’s selection opens with the overture to Rossini’s The Thieving Magpie, its famous snare drum exchanged for bellowing pedals. (Scott’s footwork has been said to put Gene Kelly to shame.)

After the serene, reflective Intermezzo from Mascagni’s opera Cavalleria rusticana comes Dukas’s mischievous trainee wizard, whose attempt to make light work of filling a cauldron with pails of water backfires, resulting in a rising tide of chaos. The concert’s climax is the ‘Organ’ Symphony by Saint-Saëns, commissioned by London’s Philharmonic Society and first performed at St James’s Hall, Piccadilly, a couple of miles from the Royal Albert Hall. With Scott taking on the roles of both solo organist and orchestra, it’s a fitting tribute to the French composer, who was himself was among the first to play the Royal Albert Hall’s mighty organ when it was completed in 1871.


Gioachino Rossini
The Thieving Magpie – overture
(arr. Jonathan Scott)

Pietro Mascagni
Cavalleria rusticana – Intermezzo 4’
(arr. Jonathan Scott)

Paul Dukas
The Sorcerer’s Apprentice 11’
(arr. Jonathan Scott)

Camille Saint-Saëns
Symphony No. 3 in C minor, ‘Organ’ 37’
(arr. Jonathan Scott)

Jonathan Scott organ

9 ways you can support us

This extended closure has put the Royal Albert Hall, like many other venues, in a perilous situation.

Without shows on we have lost our major source of funding, but there remains a number of ways you can continue to support the Royal Albert Hall during this crisis: